{"id":1343,"date":"2012-08-30T13:44:39","date_gmt":"2012-08-30T12:44:39","guid":{"rendered":"http:\/\/archive.nclacommunity.org\/content\/?p=1343"},"modified":"2013-10-07T10:08:34","modified_gmt":"2013-10-07T09:08:34","slug":"flow-engineering-writing-commission-stevie-ronnie","status":"publish","type":"post","link":"http:\/\/archive.nclacommunity.org\/content\/?p=1343","title":{"rendered":"~Flow Engineering Writing Commission <h6> Stevie Ronnie <h6\/>"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F60277825&amp;show_artwork=true\" frameborder=\"no\" scrolling=\"no\" width=\"100%\" height=\"166\"><\/iframe><\/p>\n<p><strong>Waterwheel <\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>There\u2019s a turn like this in love:<\/p>\n<p>her resisting the lateral-loads<\/p>\n<p>and bridging the artist\u2019s instrument.<\/p>\n<p>A saline eye fixing space,<\/p>\n<p>she\u2019s moving despite the static<\/p>\n<p>of breathing. Shear wall diaphragm.<\/p>\n<p>&nbsp;<\/p>\n<p>The rate of her revolution<\/p>\n<p>is a dial skipping<\/p>\n<p>and holding her live-load.<\/p>\n<p>&nbsp;<\/p>\n<p>Control. The current method\u2019s tender.<\/p>\n<p>The maintenance of vegetation.<\/p>\n<p>She pushes the weight of his rack \u2013<\/p>\n<p>overturns him like a hull.<\/p>\n<p>&nbsp;<\/p>\n<p>She wishes she could diamond<\/p>\n<p>change, essentially generate frames<\/p>\n<p>&nbsp;<\/p>\n<p>like a waterwheel in tide.<\/p>\n<p>There\u2019s a turn like this in love<\/p>\n<p>&nbsp;<\/p>\n<p>or a resistance to the lateral loads<\/p>\n<p>bridging the instrument<\/p>\n<p>which fixes saline.<\/p>\n<p>Static despite moving through<\/p>\n<p>sheer diaphragmatic breath.<\/p>\n<p>&nbsp;<\/p>\n<p>It revolves at his rate \u2013<\/p>\n<p>skips then shifts a dial.<\/p>\n<p>A live-load holding his material<\/p>\n<p>&nbsp;<\/p>\n<p>back against the tender current<\/p>\n<p>of vegetable maintenance<\/p>\n<p>pushing back the rack-weight<\/p>\n<p>of the city\u2019s hull.<\/p>\n<p>&nbsp;<\/p>\n<p>Diamonds. He wishes.<\/p>\n<p>He generates essential change<\/p>\n<p>&nbsp;<\/p>\n<p>like a waterwheel in the tide.<\/p>\n<p>And like a waterwheel in the tide<\/p>\n<p>&nbsp;<\/p>\n<p>she changes her frames<\/p>\n<p>into wish-diamonds.<\/p>\n<p>&nbsp;<\/p>\n<p>She turns over.<\/p>\n<p>Rack her thoughts<\/p>\n<p>for control of the tender.<\/p>\n<p>&nbsp;<\/p>\n<p>She loads materials<\/p>\n<p>into skips then dials<\/p>\n<p>her revolution\u2019s number.<\/p>\n<p>&nbsp;<\/p>\n<p>Breathe. She<\/p>\n<p>moves among the static<\/p>\n<p>of the fixing eyes.<\/p>\n<p>The artist bridges instruments.<\/p>\n<p>She loads resistance<\/p>\n<p>&nbsp;<\/p>\n<p>to a turn like this in love.<\/p>\n<p>Like a waterwheel in tide<\/p>\n<p>&nbsp;<\/p>\n<p>he generates frames \u2013 essentially changes<\/p>\n<p>diamond. He wishes<\/p>\n<p>&nbsp;<\/p>\n<p>to overturn the city\u2019s hull<\/p>\n<p>push the rack-weight<\/p>\n<p>of vegetable maintenance<\/p>\n<p>back against the tender current.<\/p>\n<p>&nbsp;<\/p>\n<p>Alive, the load holds his material \u2013<\/p>\n<p>it skips and shifts a dial.<\/p>\n<p>All revolves at his rate<\/p>\n<p>&nbsp;<\/p>\n<p>of sheer diaphragmatic breath<\/p>\n<p>moving through static despite<\/p>\n<p>a fixing of the eye<\/p>\n<p>on the bridge artist<\/p>\n<p>who resists lateral loads.<\/p>\n<p>&nbsp;<\/p>\n<p>There\u2019s a turn like this in love.<\/p>\n<p>~ ~ ~<\/p>\n<p>As part of a series of engineering themed events that used ~Flow as inspiration, a group of writers were commissioned to produce a piece of original writing inspired by the engineering behind ~Flow. Engineering relies on precision and detail, as does good writing.<\/p>\n<p>The writers worked alongside Dr Viccy Adams from the Newcastle Centre for the Literary Arts, Newcastle University and Buro Happold to develop their work. The selected writers were:<\/p>\n<p>Wes White<br \/>\nStevie Ronnie<br \/>\nJulie Ward<br \/>\nGuy Mankowski<\/p>\n<p>~Flow is proud to have worked in partnership with The Royal Academy of Engineering to develop the ~Flow Engineering Programme.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Waterwheel &nbsp; There\u2019s a turn like this in love: her resisting the lateral-loads and bridging the artist\u2019s instrument. A saline eye fixing space, she\u2019s moving&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1339,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,6],"tags":[247,248,9,251],"_links":{"self":[{"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/posts\/1343"}],"collection":[{"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1343"}],"version-history":[{"count":3,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/posts\/1343\/revisions"}],"predecessor-version":[{"id":1456,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/posts\/1343\/revisions\/1456"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/media\/1339"}],"wp:attachment":[{"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1343"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}