{"id":4069,"date":"2026-10-21T10:29:46","date_gmt":"2026-10-21T09:29:46","guid":{"rendered":"http:\/\/archive.nclacommunity.org\/content\/?p=4069"},"modified":"2026-10-21T11:07:24","modified_gmt":"2026-10-21T10:07:24","slug":"tina-gharavis-night-and-day-adapting-virginia-woolfs-novel-for-the-cinema-screen-at-newcastle","status":"publish","type":"post","link":"http:\/\/archive.nclacommunity.org\/content\/?p=4069","title":{"rendered":"<h6>Tina Gharavi&#8217;s Night and Day: Adapting Virginia Woolf&#8217;s novel for the cinema screen <\/h6> at The Curtis Auditorium, Newcastle"},"content":{"rendered":"<div class=\"fsn-row full-width-row fsn-6ada610f505c4 light\" style=\"background-repeat:repeat;background-position:left top;background-attachment:scroll;background-size:auto;\"><div class=\"container-fluid\"><div class=\"row\"><div class=\"col-sm-12\"><div class=\"fsn-column-inner fsn-6ada610f5072f light\"><div class=\"fsn-code fsn-6ada610f508a8\"><div style=\"padding:75% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/1237948203?h=485d250d8c&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Tina Gharavi's Night and Day: Adapting Virginia Woolf's novel for the cinema screen\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/div><div class=\"fsn-text fsn-6ada610f50930\">\n<div class=\"StructuredModuleRenderer_structuredContent__k7mNB StructuredModuleRenderer_text__GaXOv\" data-testid=\"text-content\">\n<p><strong>Newcastle Centre for the Literary Arts<\/strong><\/p>\n<p>Join\u00a0us at\u00a0NCLA for an evening exploring\u00a0Tina Gharavi\u2019s\u00a0northeast-made\u00a0adaptation of Virginia Woolf&#8217;s\u00a0<em>Night &amp; Day.\u00a0<\/em>Following\u00a0its outstanding reviews (4-stars,\u00a0<em>the Guardian<\/em>) and a nationwide release, Tina and producer Meg Thomson give us a special insight into how they brought Woolf&#8217;s 1919 novel to the screen, from adapting the text, to shooting at Beamish and at key northeast sites, to the realities of production and distribution for women and diverse filmmakers working today.<\/p>\n<p>Tina Gharavi?is a BAFTA-nominated filmmaker, screenwriter, and\u00a0Reader\u00a0in Screenwriting and Film at Newcastle University.\u00a0Her films include<em>\u00a0I\u00a0am Nasrine<\/em>\u00a0about migrant experiences in the Northeast, and work for Netflix, as well as\u00a0her newly released\u00a0<em>Shadows of Beirut<\/em>, which was shot in Lebanon during lockdown.<\/p>\n<p>Meg Thomson is the Executive Vice President\u00a0of\u00a0Globalgate?Entertainment.\u00a0Her producer credits include\u00a0<em>Virginia Woolf\u2019s Night &amp; Day<\/em>,\u00a0<em>Freud\u2019s Last Session<\/em>,\u00a0<em>Flying Home, Siren<\/em>,<em>\u00a0Dot the\u00a0i<\/em>\u00a0and\u00a0<em>Milk.<\/em>\u00a0She has executive produced\u00a0numerous\u00a0international films, including\u00a0<em>The Turkish Coffee Table, Schitterend, <\/em><em>Wedding Dress<\/em>, and S<em>in Hijos.\u00a0<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4075,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,5],"tags":[880,205],"_links":{"self":[{"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/posts\/4069"}],"collection":[{"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4069"}],"version-history":[{"count":8,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/posts\/4069\/revisions"}],"predecessor-version":[{"id":4078,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/posts\/4069\/revisions\/4078"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=\/wp\/v2\/media\/4075"}],"wp:attachment":[{"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4069"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/archive.nclacommunity.org\/content\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}